BIBLIOGRAPHIES

CREATING THE FIELD

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Arp, Hans, and El Lissitzky, eds. The Isms of Art. Zurich: Eugen Rentsch, 1925.

Ash, Jared, et al. The Russian Avant-Garde Book 1910–1934. New York: Museum of Modern Art, 2002.

Bartram, Alan. Futurist Typography and the Liberated Text. New Haven: Yale University Press, 2006.

Bayer, Herbert, Walter Gropius, and Ise Gropius. Bauhaus 1919–1928. New York: Museum of Modern Art, 1938.

Bayer, Herbert. “On Typography.” In herbert bayer: painter designer architect. New York: Reinhold, 1967, 75-77.

Cohen, Arthur A. Herbert Bayer: The Complete Work. Cambridge, MA: MIT Press, 1984.

Dachy, Marc. The Dada Movement 1915–1923. New York: Rizzoli, 1990.

Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art. 1909–1923. Chicago: University of Chicago Press, 1994.

Gray, Nicolete. A History of Lettering: Creative Experiment and Letter Identity. Oxford: Phaidon Press, 1986.

Heller, Steven. Merz to Émigré and Beyond: Avant-Garde Magazine Design of the Twentieth Century. London: Phaidon, 2003.

Hultén, Pontus. Futurism and Futurisms. New York: Abbeville Press, 1986.

Jaffe, Hans. De Stijl, 1917–1931: Visions of Utopia. Minneapolis: Walker Art Center, 1982.

Kostelanetz, Richard, ed. Moholy-Nagy: An Anthology. New York: Da Capo Press, 1991.

Lissitzky-Küppers, Sophie. El Lissitzky: Life, Letters, Text. Translated by Helene Aldwinckle and Mary Whittall. London: Thames and Hudson, 1968.

Lissitzky, El. “Our Book.” In El Lissitzky: Life, Letters, Texts. Edited by Sopie Lissitzky-Küppers. Translated by Helene Aldwinckle. London: Thames and Hudson, 1968, 356–359.

Lupton, Ellen and J. Abbott Miller, eds. The ABC’s of Triangle, Square, Circle: The Bauhaus and Design Theory. New York: Princeton Architectural Press, 2000.

Margolin, Victor. The Struggle for Utopia: Rodchenko, Lissitzky, Moholy- Nagy, 1917–1946. Chicago: University of Chicago Press, 1997.

McLean, Ruari. Jan Tschichold: Typographer. Boston: D.R. Godine, 1975.

Marinetti, F. T. “The Founding and Manifesto of Futurism.” In Critical Writings: F. T. Marinetti. Edited by Günter Berghaus. Translated by Doug Thompson. New York: Farrar, Straus and Giroux, 2006, 11–17.

Moholy-Nagy, László. “Typophoto.” In Painting Photography Film. Translated by Janet Seligman. Cambridge: MIT Press, 1973, 38–40.

Passuth, Krisztina. Moholy-Nagy. London: Thames and Hudson, 1987.

Richter, Hans. Dada: Art and Anti-Art. London: Thames & Hudson, 1966.

Rodchenko, Aleksandr. “Who We Are: Manifesto of the Constructivist Group.” Aleksandr Rodchenko: Experiments for the Future. Edited by Alexander N. Lavrentiev. New York: Museum of Modern Art, 2005, 143–145.

Rowell, Margit and Deborah Wye. The Russian Avant-Garde Book: 1910–1934. New York: Museum of Modern Art, 2002.

Spencer, Herbert. Pioneers of Modern Typography. London: Lund Humphries, 1969.

Tschichold, Jan. “The Principles of the New Typography.” The New Typography: A Handbook for Modern Designers. Translated by Ruari McLean. Berkeley: University of California Press, 1998, 64–84.

Tschichold, Jan. Asymmetric Typography. Translated by Ruari McLean. New York: Reinhold, 1967.

Tschichold, Jan. The Form of the Book: Essays on the Morality of Good Design. Translated by Hajo Hadeler. Point Roberts, WA: Hartley & Marks, 1991.

Van Doesburg, Theo, Hans M. Wingler, and H. L. C. Jaffé. Principles of Neo-Plastic Art. Translated by Janet Seligman. Greenwich, CT: New York Graphic Society, 1968.

Warde, Beatrice. “The Crystal Goblet, or Why Printing Should Be Invisible.” In The Crystal Goblet: Sixteen Essays on Typography. Cleveland: World Publishing, 1956, 11–17.